markjgsmith

Sunday, July 21, 2024

Some thoughts about theft and stealing brought about by the past few days. I’m just thinking out loud.

A bunch of malicious help last night. It’s unbelievable how 1 lot of malicious help leads to another, which leads to another. It’s like theft being used to fix a theft, which is being used to fix a theft. Each time they created the problem in the first place, yet blamed it on you.

Theft just doesn’t work as a core of society, eventually you run out of people to steal from. Then you are stuck at this stupid self imposed maximum, an equilibrium between thieves and victims. If there is no stealing, there is no maximum, everyone can grow together and help each other without worrying.

If you are stealing from somebody to teach them I think it’s likely that at best you are teaching them to steal. If you are stealing to teach you aren’t teaching, you’re stealing. #

I wrote yesterday about Rogan’s advice to create successful and cool businesses. If the US is so incredibly divided politically, I mean everyone is saying the divide is the worst ever, that there is this insane level of hate, then how is it that people from both camps can go to the same comedy places and laugh at the same jokes?

Wouldn’t you expect that eventually there would be Republican comedy places and Democrat comedy places and never the two shall meet? Or is that perhaps a thing that might still happen? Should we be taking measures to make sure this doesn’t happen?

Is there a weird world possible where one side just decides to ditch comedy all together, and the other side then creates fake people to make it look like both sides are still laughing together when in fact they aren’t. The infiniti comedy division is a pretty dark thought. #

An architecture for art

I was very taken by a recent Keen On podcast episode featuring writer Andrew O'Hagan where they discuss his recent novel Caledonian Road. It made it into this week’s newsletter, being quite a major influence on the theme.

I've been wondering what makes these sorts of rather grandiose works of art possible. Here are some of the questions I’ve been wondering about:

  • What architectures are needed in society to study and create these types of books / collections of stories?
  • Are some societies more well organised or pre-disposed to being documented or novelised into fictional stories?
  • Is there an observation problem where the observer affects the story they are documenting?
  • Are some societies purposely setup to make them difficult to novelise?

Also extrapolating somewhat on yesterday’s post about Rogan’s secret to making cool businesses, I wonder if some of these ideas are something you can apply at a city level. I suppose people do think about such things, though I'm not sure how comfortable I am with life being engineered at this level.

How do you even do that without seeming like senator Palpatine from Star Wars?

Maybe these sorts of questions are things we should be thinking about given that so many things these days appear fake. Catcher in the Rye seems a bit quaint these days.

I think it’s worth noting that for whatever reason, there was a distinct surge of "spiritual push back" from the world around me, in the form of apparently random No! harrasment and apparently accidental chair bumping, as I put the finishing touches to this blog post, from the mostly university students folks that surround me where I am writing this post.

Oh, and some 'you dog' calls from people walking by too!

Proving once again, that for the perpetraitors, harrassment is similar to the tag line of a certain brand of crisps that will remain unmentioned here to avoid any repercussions that might occur:

"Once you pop you can’t stop".

Writing that last paragraph was 10X harder than the rest of the article for some bizare reason. Anyway, nothing to see here, please move along...I am but an unfunny tennis ball.